Scholastic Rhyming Dictionary


Scholastic Rhyming Dictionary

By Sue Young

Published by Scholastic Reference


My Scholastic Rhyming Dictionary is one of the most used reference books On My Shelf. Though I use online rhyming dictionaries at times I always fall back on this little book.


It is one of my favorites for several reasons.

  •       It is inexpensive.
  •       It is compact.
  •       The format is straightforward and easy to use. I prefer quickly flipping through      the lists over wading through the online rhyming dictionaries I have used.
  •       It makes finding both end rhymes and internal rhymes easier for me.
  •       Because it was published for elementary and middle school children the words listed are on an elementary and middle grade level. That makes them perfect for use in my children’s manuscripts.
  •       It has a user-friendly index.

Unfortunately the book is no longer available through Scholastic. However, I found it and several other rhyming dictionaries at Amazon.

Click HERE for that selection.

Whether you write poetry, board books, picture books or whatever…

If you want your poetry or prose to “sing” you’ll get a lot of use out of your own Scholastic Rhyming Dictionary.

Song of Night

Song of Night – It’s Time to Go to Bed

Song of Night

By Katherine Riley Nakamura           Illustrated by Linnea Riley

Published by The Blue Sky Press in 2002


Song of Night – It’s Time to Go to Bed is a wonderful example of a “quiet” picture book.

The 160 words of rhyming verse take your listener by the hand to visit baby animals preparing for bedtime. The illustrations are soft and beautiful. The faces are expressive indicators of the mood each baby animal is portraying. Each double-page spread includes cute and funny elements, too.

It’s a quiet walk to sleepy time for a little listener The story ends with the best sentiment ever to take to dreamland – “I love you so!”

I read this book to each of our four young grandchildren anytime they spent the night with us – which has been often in the past ten years. They enjoyed the snuggle-time and the sweet illustrations.

When the grandkids were little it was a great “quiet” segue to our own night-night hugs, kisses and prayers. I look forward to reading it to my great-grandchildren someday.

Picture Writing

Picture Writing – A new approach to writing for kids and teens

By Anastasia Suen

Published by Writer’s Digest Books in 2003

Picture Writing

About ten years ago I purchased my copy of Picture Writing – A new approach to writing for kids and teens. I assumed it would be primarily about picture books. But it is so much more!

Picture Writing is actually a self-paced course on writing in all three children’s genre (fiction, nonfiction, poetry)  for all six formats (board books, picture books, beginning readers, early chapter books, middle grade books, young adult books.)

Anastasia Suen is the author of 250 children’s books. She is also a writing instructor and developmental editor for children’s authors.

I must confess that I never finished the course. I was just too new and uninformed at that time to digest the mounds of information and practice the skills. I did read and re-read the first few sections. As I scan through the material now (ten years later) I see that I highlighted some great insights from Suen.

I should have kept on reading ten years ago! 

Suen also uses memorable metaphors for the writing process. In other words, she uses “picture teaching” throughout the course.

I give Suen and Picture Writing five highlighters. MARKER_1 MARKER_1 MARKER_1 MARKER_1 MARKER_1

The book is written in six parts plus very useful appendixes and an index.

She offers two plans and time tables for using the book as a writing course.

Part I explains “What Is Picture Writing?” It’s acknowledging that writing is a creative process. It’s allowing stillness and thoughtfulness to be a major part of the writing process. It’s allowing both sides of my brain to do their work in the creative process.

Part II “Plot” teaches about the process of plotting in fiction, nonfiction and poetry.

Part III “Character” follows that same design for the process of creating characters.

Part IV “Setting” does the same for the process of developing settings.

Part V “Putting It All Together” teaches us how to shape our fiction manuscripts, then nonfiction manuscripts, and then our poetry manuscripts.

Part VI “Look Again” details what happens after we submit our manuscripts with editors, marketing, revisions and more.

About five years ago I blogged about this book. Suen contacted me and said she was working on a revision. As of this date I haven’t seen one, but I hope it is forthcoming.

I’ll definitely buy it and try again.



Josie Jo’s Got to Know

Josie Jo’s Got to Know

Written by Dee Dee Parker. Illustrated by Jenny Allen.

Published by Pinfeather Press in 2005.


My sweet and gentle friend, Dee Dee Parker, wrote and published Josie Jo’s Got to Know through much heartache. Dee Dee has triumphed over many difficulties in this life. One of them was walking her daughter Brooke through the fires of cancer and into the arms of Jesus.

To honor Brooke’s curiosity and determination Dee Dee took on the task of turning her daughter’s dream of writing a picture book into reality after Brooke’s death. The result is a delightful peek at a very curious little girl.

I’m guessing the rhymed verse and the cute illustrations in Josie Jo’s Got to Know remind Dee Dee of Brooke’s childhood. The questions about raindrops and sunshine, clown noses and broccoli are gentle reminders for me to stop and thank God for my own children’s endless questions that challenged me and often made me giggle.

Sweet memories.

However, Josie Jo’s Got to Know is also a cute read for me and my grandchildren to share some lap time, and to open the door for them to bombard me with their own innocent questions.

Josie Jo’s Got to Know is definitely a sharable book to encourage parents, grandparents and their endlessly curious kids.

Thanks, Dee Dee, for inspiring me as a writer AND as a child of God with my own set of difficulties. You’re one of the most godly women I know, and a bright star on my journey toward publication.


You can buy a copy at Amazon.


The First Five Pages

The First Five Pages-A Writer’s Guide to Staying Out of the Rejection Pile

By Noah Lukeman

Published by Simon & Schuster in 2000  – A newer version was published in 2005.


First Five Pages AmazonNoah Lukeman is a literary agent and much sought after speaker on professional writing and editing.

The first few years I was learning to write for publication I kept hearing his name and stern advice at every conference or workshop to get, read, ingest and digest The First Five Pages and to sleep with it under my pillow.

I finally bought it and read it. Now I, too, am an advocate for this book.

I want to let the author describe The First Five Pages in his own words-quoted from the book’s Introduction.

“…this book’s perspective is truly that of the agent or editor.” (p.13)

“I was able to set forth definite criteria, an agenda for rejecting manuscripts. This is the core of The First Five Pages: my criteria revealed to you.” (p. 12)

“…this book differs from most books on writing in that it is not geared exclusively for the fiction or nonfiction writer, for the journalist or poet…the principles are deliberately laid out in as broad a spectrum as possible, in order to be applied to virtually any form of writing.” (p. 17)

The First Five Pages is divided into three parts.

PART I: PRELIMINARY PROBLEMS offered me new perspective on some basics that separate great writing from good writing. The five chapters are titled: Presentation (appearance, mechanics) Adjectives and Adverbs, Sound (yep – how does my writing sound when read aloud), Comparisons (metaphors and similes) and Style (what gives my writing dimension and a certain “feel.)”

PART II: DIALOGUE contains chapters on five ailments of dialogue any of which can render my manuscript ineffective and, thus, unpublishable. They include: Between the Lines (appearance on the page and what it tells the editor or agent immediately); Commonplace (mundane, every day, insignificant dialogue); Informative (dialogue used to convey information that should be shown); Melodramatic (dialogue); Hard to Follow (dialogue that is unclear or confusing for a variety of reasons.)

PART III: THE BIGGER PICTURE covers nine aspects of writing that absolutely determine whether or not my manuscript makes it out of the slush pile and into the “possibility” pile.

The chapter titles are words you’ve heard and read before, but Lukeman’s treatment of each adds clarity to confused writers like me. The titles are: Showing Versus Telling; Viewpoint and Narration; Characterization; Hooks; Subtlery; Tone; Focus; Setting; Pacing and Progression.

They are self-explanatory, I think.

Oh! The First Five Pages includes a detailed Index. I love it!

MARKER_1 MARKER_1 MARKER_1 MARKER_1 MARKER_1 I know I keep giving these books on the craft of writing 5 out of 5 highlighters. But they deserve it in my opinion. So, here we go again with 5 out of 5 for The First Five Pages.

One last thing – on Lukeman’s website you can read a lengthy excerpt from The First Five Pages and from each of his other books on craft. Sort of a free test-drive!


Nature’s Paintbox

Nature’s Paintbox: A Seasonal Gallery of Art and Verse         IMG_1558

By Patricia Thomas

Illustrated by Craig Orback


In July, 2012, I attended a one day workshop hosted by my writing buddy Pam Zollman and The Writer’s Plot in Greenville, South Carolina. I met a couple of picture book icons that day – Harold Underdown and Patricia Thomas. I asked her if she’d be my mentor. I now know the question was totally inappropriate at that time, but I identified with her style and voice and wanted to learn HOW she brought it all together.

I still do.

Nature’s Paintbox is a lovely read-aloud that has influenced my own style of writing encouraging words for children and the adults who love them.

Before I met Patricia I had decided that most successful picture books are poetry of one kind or another. Silly or serious, sad or sublime they begin and end with poetry to me. Nature’s Paintbox helped to cement that idea into my head.

The 32 beautifully illustrated pages provide lovely backdrops to Patricia’s poetic word pictures about each of the four seasons in mid-America. Her words are not rhymed verse so popular in books for very young children. They are poetic allusions, descriptions and memories woven together with a variety of literary devices.

Craig Orback created beautiful illustrations that harmonize wonderfully with the word pictures Patricia spun in this book.

If you’ve ever critiqued one of my manuscripts you’ll recognize that I, too, am in love with the subtle weaving of many literary devices into one poetic cloth called a picture book. I can thank Patricia Thomas for helping me congeal that aspect of my writing voice. She combines rhythm, rhyme, interior rhyme, onomatopoeia, alliteration, assonance, syncopation, pause and picturesque words to paint her story on the canvas of my mind.

I don’t know for sure whether I love that style because of Patricia Thomas’s books, or if I love her books because of that style. Many thanks, Patricia.

Here’s a sampling of her intentional rambling about winter:

Berries on a bush;

              Cardinals on a branch;

            a red mailbox flag

                        winking a cheery hello,

                        snuggled under

            its caps of snow;

            a snowman’s carrot nose,

                        a holly wreath

            with a red velvet bow;


I think Nature’s Paintbox is poetry and art entwined.




The Perfect Pet

IMG_1552The Perfect Pet written and illustrated by Samantha Bell

Published by Sylvan Dell Publishing (now named Arbor Dale Publishing)


When my daughter was about twelve years old she wanted a pet—a special pet—an exotic pet. So she and her Dad starting researching things like chinchillas, flying squirrels and hairless rats.


Thank goodness none of those came to live at our house. Our daughter finally settled on a Toy Fox Terrier and loved it dearly. Whew! We really dodged a bullet on that one!

You’ve probably searched for the perfect pet for your kids, too, at some point.

One of the beautiful picture books ON MY SHELF is entitled The Perfect Pet. It was written and illustrated by my sweet friend, Samantha Bell. She is a very talented, gentle, godly friend.

The Perfect Pet is the story of a child going through the process of selecting the perfect pet. Sounds simple, huh? Not so much. This child and mom actually use the process of elimination as they go through the Kingdom Animalia to the correct species. But, wait. Is this the very best pet for this particular child? Or is there something better out there?

The rhyming text is bouncy and cute. It familiarizes children with several terms in the classification system in a cute way.

It’s one of my favorites, though, mostly because of Samantha’s adorable artwork.

If you’re homeschooling or simply reinforcing what your kids are learning at school your elementary aged kids will love this book. The publisher has included lots of interesting back matter. And Sylvan Dell (now Arbor Dale) provides lots of online activities for young readers to enjoy. Your kids probably won’t even realize they are learning anything!

Blessings, Samantha. I know you’re busy working on new books right now. You always are.


Stein on Writing

Stein on Writing, written by Sol Stein

Published by St. Martin Griffin in 1995


IMG_1602Stein on Writing is perhaps THE book on professional writing. I suppose it’s been reviewed or summarized millions of times – and that is not just a literary cliché. At every writers conference I attend some speaker(s) refer to it.

For me it is a book I’ll read again and again, and refer to in-between reads.

The subtitle sums it up: A Master Editor of Some of the Most Successful Writers of Our Centry Shares His Craft Techniques and Strategies.

Stein on Writing is comprehensive. It covers or touches on every possible aspect of writing literary works for publication, I believe. It’s seven sections are:

  •       The Essentials
  •       Fiction
  •       Fiction and Nonfiction
  •       Nonfiction
  •       Literary Values in Fiction and Nonfiction
  •       Revision
  •       Where to Get Help


Stein on Writing is detailed. I read this book about four years into writing for publication. Much of it went over my head at that time. But, even those sections became trigger points for me. When I would be reading a book on a particular aspect of writing, or participating in a workshop the “new” things I was learning would jump back to my memory of reading about it in Stein on Writing.

Does that make sense?

I am re-reading the book at this time and it is proving to be even more instructive, more valuable to me now than the first time through. I now have quite a bit more experience and Stein’s advice makes a lot more sense to me now.

Stein on Writing is foundational. It seems to me that Stein touches on everything we should be aware of when writing for publication.

Stein on Writing is practical. Tips, shortcuts and practical examples of good writing fill the pages. This is information I can put to use in my own manuscripts.

The chapter titled, “Liposuctioning Flab” probably stuck with me best. It’s on cutting every word that isn’t critical to the story. It’s becoming something I do well.

If you can purchase only one book about the craft of writing THIS is the one. Even if you only write little picture books for kids, like me.


Sage Snippets from SCBWI

Short and sweet and spot-on advice. Thanks, Tara.

Saturday in Verse

Today my friend, Donna, starts a new weekend series post, Saturday in Verse. As the title implies, every Saturday (ish) she will post an original poem. So here is her first offering – As a writing exercise, she us…

Source: Saturday in Verse

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